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How Poetry Led Mia Couto To Join Mozambique’s Liberation Struggle
Mia Couto, one of Africa’s most celebrated authors and poets, never set out to be a freedom fighter. But his words, born out of a childhood of privilege and a desire for justice, caught the eye of Mozambique’s revolutionary leaders, drawing him into the heart of the country’s liberation struggle.
Growing up in colonial Mozambique, Couto’s Portuguese parents and European roots set him apart from the black majority. Yet, he found solace in the written word, and his poetry became a powerful tool for expression and connection with the world around him. “I invented something, a relationship with paper, and then behind that paper there was always someone I loved, someone that was listening to me, saying: ‘You exist’,” he recalls.
As a child, Couto was aware of the injustices of colonial society, and he knew he couldn’t be happy without fighting against it. When the fight against Portuguese rule began, Couto’s poetry made him an unlikely recruit for the revolutionary movement, Frelimo. Despite feeling out of place among the freedom fighters, his words earned him a place among them, and he became an integral part of the struggle.
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Couto remembers the night he was summoned to appear before Frelimo leaders, where he was the only white boy in a crowd of 30. He made up a story about himself, feeling he had no chance of being selected otherwise. But Frelimo leaders had already discovered his poetry and decided he could help their cause. “The guy that was leading the meetings asked me: ‘Are you the young guy that is writing poetry in the newspaper?’ And I said: ‘Yes, I’m the author’. And he said: ‘Okay, you can come, you can be part of us because we need poetry,” Couto recalls.
After Mozambique gained independence in 1975, Couto continued working as a journalist until the death of Mozambique’s first president, Samora Machel, in 1986. He then quit, disillusioned with Frelimo’s discourse. Today, Couto is proud of his role in the liberation struggle and continues to write, inspired by the people and land he loves.
We are excited to announce the release of the 21st edition of Diaspora Watch, your go-to platform for insightful analysis and captivating stories from around the globe, dedicated to uniting African diaspora communities.
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This issue dives into the heated U.S. presidential race, where Former President Donald Trump and Democratic contender Kamala Harris are making their final appeals to voters ahead of the November 5th election. With reports of vote-buying and significant campaign donations surfacing, we explore the potential implications for American democracy.
On the international front, tensions rise as the Russia-Ukraine conflict escalates, and North Korea aligns itself with Russian interests. In the Middle East, unrest persists following the assassination of a Hezbollah leader, with urgent calls for restraint as fears grow over a possible Israeli invasion of Iran.
In a thought-provoking piece, writer Tony Okoroji examines the possible global repercussions of another Trump presidency. Human rights advocates are also sounding alarms over the UK’s recent deportation of 44 Nigerians and Ghanaians, stressing the urgent need for more humane immigration policies.
The Mpox pandemic remains a serious threat in Africa, with over a thousand fatalities reported in recent weeks. We also delve into a unique Nigerian tradition, revealing how grooms may be compelled to fulfill marital rites under tragic circumstances.
On a lighter note, Washington D.C. recently celebrated creative excellence at the Annual Mayor’s Arts Award, while the Confederation of African Football has penalized Libya for its unacceptable treatment of Nigeria’s Super Eagles during a recent match.
Don’t miss our new Diaspora Connect page, designed to inform young Africans about international opportunities. Plus, be sure to check out the dazzling Didi Nkanta on our Diva Page, adding a touch of glamour to this packed edition.
Grab your copy today for a comprehensive view of our world, and join us as we strengthen the bonds within the African diaspora!
The Ovia-Osese Festival of Ogori, a rich cultural celebration held annually in Kogi State, Nigeria, is a tribute to the values of purity, sanctity, and tradition. This vibrant festival marks the rite of passage for young women, symbolizing their transition into womanhood, while upholding the cherished customs of the Ogori people. The girls, known as “Irehnes”, undergo a series of rituals that emphasize moral purity, respect for community values, and the preservation of cultural identity.
Central to the festival is the blessing of the young women by elders, who impart wisdom about womanhood, family values, and the importance of maintaining the community’s cultural heritage. This public recognition of their maturity is accompanied by traditional dances, colorful attire, and ceremonial displays that showcase the rich history of the Ogori people.
The Ovia-Osese Festival fosters community unity, serves as a platform for cultural preservation, and highlights the significance of purity and moral integrity. The celebration also attracts visitors from far and wide, eager to witness this unique rite of passage and to participate in the rich cultural display.
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In the heart of Imo State, Nigeria, lies the ancient town of Arondizuogu, home to the revered Ikeji cultural festival. This spectacular event, which dates back over five centuries, is a testament to the rich cultural heritage of the Igbo people. Every year, thousands of people from around the world gather to witness the vibrant displays of masquerades, music, and dance that make Ikeji one of the most significant cultural festivals in Igboland.
The essence of Ikeji is to celebrate the harvest of the first yams, a staple crop in Igbo culture. The festival serves as a unifying force, bringing together Aro people from across the Igbo-speaking states and beyond. It is a time for feasting, thanksgiving, and propitiation, marked by four days of festivities that correspond to the Igbo calendar’s four market days.
The festival features a colorful array of masquerades, including Ogionu, Mgbadike, Nwaaburuja, and Ozoebune, which parade across the market square to the admiration of the public. Traditional musical instruments, such as the ekwe, ogene, bells, maracas, and oja, accompany the masquerades, creating an intoxicating rhythm that sets the tone for the festivities. The flutist plays a vital role in communicating with the masquerades, weaving soulful melodies and esoteric messages into the music.
Another fascinating aspect of Ikeji is the raconteur, known as ima mbem, who delivers imaginative tales with a musical cadence that only the initiated can understand. The flutist is equally important, communicating hidden messages to the masquerades through his melodies, steps, and gestures.
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On the final day of the festival, a ram is tied to a pole in the market square, and brave individuals are challenged to approach and untie it. This test of bravery is a highlight of the festival, with contenders facing forces beyond human comprehension. The bravest among them will eventually succeed in untying the ram, earning thunderous applause and recognition for their village.
Ikeji is more than just a festival; it is a celebration of Igbo tradition and heritage. It is a testament to the rich cultural diversity of Nigeria and a reminder of the importance of preserving our cultural roots. As the world becomes increasingly globalized, festivals like Ikeji serve as a vital link to our past, present, and future
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