The Long American Tradition Of Categorizing Immigrants As Either Good Or Bad

BY H I D E TA K A  H I R O TA

In February, President Donald Trump’s Administration sent 178 Venezuelan migrants to the U.S. military base in Guantanamo Bay, Cuba. This is the latest chapter of the Trump Administration’s crackdown on immigrants, a project that officials have said will focus on those with records of unauthorized entry and violent crimes, or “the worst of the worst,” as Homeland Security Secretary Kristi Noem has put it. Advocates of strict border policing today typically divide noncitizens in the United States into two groups: regular immigrants and irregular (unauthorized) immigrants. Then, they disparage the latter as “illegal aliens” and call for their deportation.

This dichotomous categorization of immigrants is in part rooted in 19th century discourse on foreign-born workers, which divided them into “natural” and “unnatural” immigrants. Then as now, separating immigrants into clean binaries may reflect the ideological debates of the present moment, but seldom does doing so reflect the realities they are facing at that time. In the mid-19th century, some Americans criticized immigrant workers for threatening their employment by working at extremely low wages. U.S. workers’ opposition to immigrant labor became particularly strong during the 1870s and

1880s in response to the growth of

industrial capitalism after the Civil

War. At that time, U.S. workers suffered exploitative labor practices and the decline of wages, while the industrial and commercial elite enjoyed the extreme concentration of wealth. These situations provoked radical labor activism. Many labor leaders viewed immigrants employed by capitalists at low wages as advancing the unequal distribution of wealth and contributing to the impoverishment of U.S. workers.

Organized labor directed its harshest criticism against foreign contract workers, who were believed to be imported by capitalists as strikebreakers. Some employers did import immigrants as strikebreakers directly from Europe, but this practice was relatively rare. Many, if not most, foreign-born workers employed as strikebreakers immigrated to the U.S. on their own and were later hired by employers. Also, imported immigrants were not necessarily unskilled laborers; they included skilled workers, such as window glass workers. Nevertheless, opponents of contract workers claimed that capitalists conducted large scale importations of “ignorant, servile, unskilled, and debased labor,” or “‘pauper labor’ of Europe.”

Negative sentiment against contract laborers led to President Chester A. Arthur signing a bill that became known as the Foran Act on February 26, 1885. The Foran Act, also called the “alien contract labor law,” was named after its sponsor, Martin A. Foran, a former labor leader and a U.S. representative from Ohio. The act prohibited individuals and companies from prepaying, assisting, or encouraging the immigration of contract workers in other words, foreigners immigrating under contracts agreements to work in the United States and its territories. The law soon was amended in 1888 to begin deporting foreign contract workers already in the country.

In 1891, Congress went a step further by integrating these restrictions on contract workers into general immigration law, which administered the entry and removal of all foreigners, except the Chinese, whose immigration was restricted by Chinese exclusion laws. The Immigration Act of 1891 added contract workers to the list of prohibited groups of foreigners, including people likely to become public charges, people with contagious diseases, people with mental illness, and criminals.

Central to arguments in favor of the Foran Act was a view of imported workers as unfree, degraded workers, comparable to enslaved people. Proponents of the Foran Act argued that contract workers were unfree people in that their employers controlled them from the moment of their arrival in the United States. Foran argued that contract workers were “not freemen . . . . they are virtually the slaves of those greedy corporations who bring them here.” Forced into “the struggle for existence” over employment, many Americans would be replaced by “these foreign serfs.”

He thus presented the bill as an antislavery measure to protect American workers from competition with unfree labor imported from abroad. In a nation that abolished chattel slavery just two decades ago after the Civil War, opposition to a type of labor that seemed to resemble slavery was a powerful argument.

Labor leaders also stressed that as unfree people, contract workers did not come to the U.S. voluntarily; instead they were induced to migrate by capitalists. These workers, as Foran claimed, “do not initiate their coming.” Samuel Gompers, the founder of the American Federation of Labor (AFL), advanced the binary between free and unfree immigrants, declaring that he had no objection to immigration, so long as “they come here of their own free will.”

These perceptions of contract workers were built upon the existing racist idea that Chinese immigrants to the United States were “coolies,” or unfree indentured workers. Similar views applied to immigrants from southern and eastern Europe, whom many Americans regarded as poor, uneducated, and inferior. Even though many immigrant workers were imported from Belgium, England, Germany, and Ireland, labor leaders predominantly critiqued Italian and Hungarian immigration, blaming capitalists for importing “as so many cattle, large numbers of degraded, ignorant, brutal Italian and Hungarian laborers.” As the San Francisco Call expressed, the condemnation was soon extended to the importation of “destitute Japanese pauper laborers.”

The criticism of labor importation acquired new phrases by the turn of the 20th century. Opponents of contract workers denounced their immigration induced or assisted by employers an transportation companies working with them as “artificial” or“unnatural” immigration.

The AFL resolved to oppose “all artificially stimulated immigration” and demanded “absolute prohibition of the landing of all contract and assisted emigrants.” In 1901, the congressional Industrial Commission on immigration condemned “the artificial immigration induced by employers for the purpose of breaking labor organizations.” Special immigration inspector Marcus Braun claimed that “we are burdened with a dangerous and most injurious unnatural immigration.”

During the first two decades of the 20th century, the Commissioner-General of Immigration, the head of the federal Bureau of Immigration, constantly used such terms as “artificial,” “unnatural,”and “stimulated” immigration disapproving of the importation of contract workers.The implication was clear that “natural” immigration, or the immigration of free people coming to the U.S. on their own, would be more desirable, and better suited to American life. Indeed, during the making of the alien contract labor law, Foran argued that “the best class of immigrants come” from England, Scotland, Ireland, and Germany, while Italy and Hungary sent contract workers to the United States. By the early 20th century, “unnatural” immigration was more commonly associated with immigration from southern and eastern Europe, Asia, and Mexico.

Herein lies one origin of the binary framework of immigration discourse in the United States today which divides noncitizens into “illegal aliens” and legal immigrants. The critique of contract workers created the ideas of natural and unnatural immigration, so that contract workers, or unnatural immigrants, could be vilified and their exclusion justified through contrast with the opposite category, free and natural immigrants. The debate over imported labor and the implementation of the Foran Act laid some of the discursive foundations for today’s debates by helping create a context in which immigration was discussed in dichotomous terms.

Ultimately, the distinction between natural and unnatural immigration remained murky in practice. Officials used their own discretion to decide what contract or assistance meant, often to the disadvantage of migrant groups they considered undesirable. Most immigrants whom they excluded as contract workers were coming to the United States voluntarily, and even those joining their U.S.-based family members could be labeled as contract workers. The binary categorization served as a tool to vilify some foreigners as unnatural immigrants and justify their exclusion.

Today, the category of the “illegal alien” has similar functions. It stigmatizes Latinx migrants, regardless of their immigration status, and legitimizes radical and inhumane approaches to border policing, while immigration restrictionists use it in expansive ways to inaccurately include lawful asylum seekers.

Regarding the migrants sent to Guantánamo Bay, the Trump Administration has not provided sufficient proof of their status and criminality. But reporting by ProPublica and Texas Tribune indicates that at least some of those sent to Guantanamo Bay had no criminal record at all, and many are, by the Trump Administration’s own declarations “low risk.” In fact, some of the people Guantanamo Bay can not even be labeled as unauthorized immigrants, because they entered the U.S. lawfully.

Categorization has been one of the fundamental problems, and the most unreliable ideas, in U.S. immigration policy. The words, labels, or categories that lawmakers use to describe different immigrant groups shape public support or disapproval. Those labels, however, are often arbitrary and do not match the realities of the groups, to the detriment of the immigrants and the rule of law itself.

Cristiano Ronaldo, the renowned Portuguese footballer, has embarked on a new venture, marking his debut in the film industry.

Partnering with British film producer Matthew Vaughn, Ronaldo has co-founded an independent film studio called UR•MARV. M

This 50-50 joint venture has already led to the production and financing of two action-packed films, with plans for a third installment in the same series.

The financial specifics of the joint venture have not been disclosed, but the investment comes at a time when streaming platforms like Netflix and Disney+ are increasingly backing independent filmmakers.

This trend provides a global distribution network that can help UR•MARV’s  films reach a wider audience and fuel the growth of the independent film industry.

Ronaldo shared his excitement about this new chapter in his business career, stating, “This is an exciting chapter for me, as I look ahead to new ventures in business.”

His partner, Vaughn, praised Ronaldo’s creativity on the football pitch, saying, “Cristiano has created stories on the pitch that I could never have written, and I look forward to creating inspiring movies with him  he’s a real-life superhero.”

At 40 years old, Ronaldo has significantly expanded his business portfolio over the last decade.

His investments include stakes in a hotel chain, a porcelain manufacturer, and a media company in Portugal.

He has also recently acquired a tennis and padel club in Lisbon.

Moreover, Ronaldo has expressed an interest in owning football clubs once he retires, further broadening his business interests.

Ronaldo, who currently plays for Saudi Arabian club Al Nassr with a reported annual salary of around $200 million, continues to shine on the field.

Although he has not yet revealed when he plans to retire from professional football, his business ventures are likely to keep him busy in the years to come.

Vaughn, on the other hand, has built a reputation for reinventing action cinema with his sleek, fast-paced approach and a flair for blending humor with high stakes drama.

He made his directorial debut with the gritty crime film Layer Cake (2004) and quickly followed up with bold, genre-defying hits like Kick-Ass (2010) and X-Men: First Class (2011).

Vaughn’s big breakthrough came in 2014 with the launch of the Kingsman series—a high-octane spy saga known for its slick visuals, tongue-in-cheek tone, and explosive set pieces, all under the banner of his production company, Marv.

Most recently, he directed Argylle (2024), a globe-trotting espionage adventure starring Henry Cavill and Bryce Dallas Howard. With two more Kingsman films on the horizon, Vaughn shows no signs of slowing down.

The partnership between Ronaldo and Vaughn marks a new era for UR•MARV, with the potential for exciting and action-packed films to reach a global audience.

The United States President,Donald Trump has imposed 104% duties on Chinese goods entering the US, prompting China to accuse the White House of “bullying practices”.

This drastic measure comes after Beijing refused to meet Trump’s deadline to withdraw its own retaliatory levies on the US.

Diaspora Watch reports that China’s exports to the US account for only 2% of its total economic activity, and Beijing seems confi- dent it can weather the storm.

However, the implications of this trade war are far reaching with steeper tariffs on 60 countries deemed the “worst offenders” on trade by Trump.

The international community is feeling the pinch, with Europe- an stocks plummeting and major Asian markets extending their losses.

Investors are selling off long term US government bonds, typ- ically considered a “safe haven” asset.

Japan, a key US ally in Asia, is reeling from the effects of the global reciprocal tariffs.

Tokyo feels betrayed, with Prime Minister Shigiru Ishiba describing the situation as a “national crisis”.

The Japanese government has set up consultation desks nationwide to address tariff related inquiries, and the country’s car industry, which accounts for 20% of its total exports, is projected to suffer a staggering $17 billion loss in potential exports.

As the trade war intensifies, experts warn that prices could increase, and the global economy could suffer.

Trump, however, remains defiant, claiming that impacted countries are “kissing my ass” in a bid to negotiate.