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400-Year-Old Hidden Painting Gets New Life As Album Cover
A mysterious painting hidden for approximately 400 years has been uncovered and is now being used as the cover art for a new album. The artwork, owned by the Bowes Museum, was only recently discovered in 2019. Art conservators found the hidden piece when they X-rayed a different painting to inspect its wooden frame for damage.
The newly discovered painting is a nativity scene and was found underneath a depiction of John the Baptist’s beheading. The original artist of both paintings remains unknown.
The newly discovered painting is now being used by former MGMT guitarist Hank Sullivant as the cover for his latest album, The Color of Heaven. Sullivant stated that when he saw the image, it immediately drew him in. He was especially drawn to the section of the painting with the crib, which he said was very luminous and seemed to match the sound he was trying to create through his music.
Nicky Grimaldi of Northumbria University, who helped discover the hidden painting, said it was wonderful that the painting was finally being seen by people around the world through Sullivant’s music ¹. Although the original artist is unknown, the X-ray image of the painting still gives us a glimpse of what it would have looked like.
We are excited to announce the release of the 21st edition of Diaspora Watch, your go-to platform for insightful analysis and captivating stories from around the globe, dedicated to uniting African diaspora communities.
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This issue dives into the heated U.S. presidential race, where Former President Donald Trump and Democratic contender Kamala Harris are making their final appeals to voters ahead of the November 5th election. With reports of vote-buying and significant campaign donations surfacing, we explore the potential implications for American democracy.
On the international front, tensions rise as the Russia-Ukraine conflict escalates, and North Korea aligns itself with Russian interests. In the Middle East, unrest persists following the assassination of a Hezbollah leader, with urgent calls for restraint as fears grow over a possible Israeli invasion of Iran.
In a thought-provoking piece, writer Tony Okoroji examines the possible global repercussions of another Trump presidency. Human rights advocates are also sounding alarms over the UK’s recent deportation of 44 Nigerians and Ghanaians, stressing the urgent need for more humane immigration policies.
The Mpox pandemic remains a serious threat in Africa, with over a thousand fatalities reported in recent weeks. We also delve into a unique Nigerian tradition, revealing how grooms may be compelled to fulfill marital rites under tragic circumstances.
On a lighter note, Washington D.C. recently celebrated creative excellence at the Annual Mayor’s Arts Award, while the Confederation of African Football has penalized Libya for its unacceptable treatment of Nigeria’s Super Eagles during a recent match.
Don’t miss our new Diaspora Connect page, designed to inform young Africans about international opportunities. Plus, be sure to check out the dazzling Didi Nkanta on our Diva Page, adding a touch of glamour to this packed edition.
Grab your copy today for a comprehensive view of our world, and join us as we strengthen the bonds within the African diaspora!
The Ovia-Osese Festival of Ogori, a rich cultural celebration held annually in Kogi State, Nigeria, is a tribute to the values of purity, sanctity, and tradition. This vibrant festival marks the rite of passage for young women, symbolizing their transition into womanhood, while upholding the cherished customs of the Ogori people. The girls, known as “Irehnes”, undergo a series of rituals that emphasize moral purity, respect for community values, and the preservation of cultural identity.
Central to the festival is the blessing of the young women by elders, who impart wisdom about womanhood, family values, and the importance of maintaining the community’s cultural heritage. This public recognition of their maturity is accompanied by traditional dances, colorful attire, and ceremonial displays that showcase the rich history of the Ogori people.
The Ovia-Osese Festival fosters community unity, serves as a platform for cultural preservation, and highlights the significance of purity and moral integrity. The celebration also attracts visitors from far and wide, eager to witness this unique rite of passage and to participate in the rich cultural display.
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In the heart of Imo State, Nigeria, lies the ancient town of Arondizuogu, home to the revered Ikeji cultural festival. This spectacular event, which dates back over five centuries, is a testament to the rich cultural heritage of the Igbo people. Every year, thousands of people from around the world gather to witness the vibrant displays of masquerades, music, and dance that make Ikeji one of the most significant cultural festivals in Igboland.
The essence of Ikeji is to celebrate the harvest of the first yams, a staple crop in Igbo culture. The festival serves as a unifying force, bringing together Aro people from across the Igbo-speaking states and beyond. It is a time for feasting, thanksgiving, and propitiation, marked by four days of festivities that correspond to the Igbo calendar’s four market days.
The festival features a colorful array of masquerades, including Ogionu, Mgbadike, Nwaaburuja, and Ozoebune, which parade across the market square to the admiration of the public. Traditional musical instruments, such as the ekwe, ogene, bells, maracas, and oja, accompany the masquerades, creating an intoxicating rhythm that sets the tone for the festivities. The flutist plays a vital role in communicating with the masquerades, weaving soulful melodies and esoteric messages into the music.
Another fascinating aspect of Ikeji is the raconteur, known as ima mbem, who delivers imaginative tales with a musical cadence that only the initiated can understand. The flutist is equally important, communicating hidden messages to the masquerades through his melodies, steps, and gestures.
Read also : London Meets Port Harcourt: Ikwerre Festival Brings Nigerian Culture To The UK
On the final day of the festival, a ram is tied to a pole in the market square, and brave individuals are challenged to approach and untie it. This test of bravery is a highlight of the festival, with contenders facing forces beyond human comprehension. The bravest among them will eventually succeed in untying the ram, earning thunderous applause and recognition for their village.
Ikeji is more than just a festival; it is a celebration of Igbo tradition and heritage. It is a testament to the rich cultural diversity of Nigeria and a reminder of the importance of preserving our cultural roots. As the world becomes increasingly globalized, festivals like Ikeji serve as a vital link to our past, present, and future
Hurray! It’s the 25th Edition of Diaspora Watch!
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